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Bishop, C. (2012) ‘Delegated Performance: Outsourcing Authenticity’, October, 140, pp. 91–112. Available at: https://doi.org/10.1162/OCTO_a_00091.
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Brown, W. (2006) Regulating aversion: tolerance in the age of identity and empire. Princeton, N.J.: Princeton University Press.
Bruce Bennett (no date) ‘Framing terror: Cinema, docudrama and the “War on Terror”’, Studies in Documentary Film [Preprint]. Available at: http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1386/sdf.4.3.209_1.
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Butler, J. (2010) Frames of war: when is life grievable? Paperback edition. London: Verso.
Butler, J. and Athanasiou, A. (2013) Dispossession: the performative in the political. Cambridge: Polity.
Castellucci, R. (no date) ‘On the Concepts of the face of christ’.
Charles, M. (2009) ‘Beyond the Pink Curtain’.
‘Charlie Hebdo Anniversary: “I remember his last words to me” - BBC News’ (no date). Available at: https://www.youtube.com/watch?v=8Et00rznw8U&list=PLNu_y6xwUaPToOEn6PrNt9i-yUY9BVCDw.
Conley, S. (2011) The Blue Boy. Irish Theatre Magazine. Available at: http://itmarchive.ie/web/Reviews/Ulster-Bank-Dublin-Theatre-Festival-2011/The-Blue-Boy.html.
De Palma, B. et al. (2009) ‘Redacted’. [England]: ITV 4.
D’Urso, S. (2013) ‘On the Theology of Romeo Castellucci’s Theatre and the Politics of the Christian “Occupation” of His Stage’, Theatre Research International, 38(1), pp. 34–46. Available at: https://0-literature-proquest-com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R04972816&divLevel=0&queryId=3010623705030&trailId=15DE1153F5B&area=criticism&forward=critref_ft.
Džalto, Davor (2013) ‘Religion, politics, and beyond: the Pussy Riot case’, Journal of Religion and Society, 15. Available at: http://www.ssoar.info/ssoar/handle/document/34499?
Eaton, A. et al. (2010) ‘A mighty heart: based on a true story’. [U.K.]: Channel Four.
Edelman, J., Chambers, C. and Du Toit, S. (eds) (2013) Performing religion in public. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2722533.
Fassin, D. (2015) ‘In the name of the Republic: Untimely meditations on the aftermath of the                              attack (Respond to this article at https://www.therai.org.uk/publications/anthropology-today/debate)’, Anthropology Today, 31(2), pp. 3–7. Available at: https://doi.org/10.1111/1467-8322.12162.
Flannery, T. (no date) Responding to the Ryan report. Columba Press 2009.
‘French Cultural Studies’ (no date), 27(3). Available at: http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/toc/frc/27/3.
Gharavi, L. (2012) Religion, theatre, and performance: acts of faith. New York: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2807000.
Graff, A. (2010) ‘Looking at Pictures of Gay Men: Political Uses of Homophobia in Contemporary Poland’, Public Culture, 22(3), pp. 583–603. Available at: https://doi.org/10.1215/08992363-2010-010.
Greig, D. (2013) The events. London, England: Faber and Faber Limited.
Habib, S. (2010) Islam and homosexuality. Santa Barbara, Calif: Praeger. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3059303.
‘Idomeneo 2003/6’ (no date).
JANELLE REINELT (2007) ‘REINELT., JANELLE:  The Limits of Censorship’, Theatre Research International, 32(1). Available at: https://0-literature-proquest-com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R04418213&divLevel=0&queryId=3010623520971&trailId=15DE113D7E2&area=criticism&forward=critref_ft.
Josette Féral and Leslie Wickes (2011) ‘From Event to Extreme Reality: The Aesthetic of Shock’, TDR (1988-), 55(4), pp. 51–63. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/41407106.
Knowles, R.P. (2010) Theatre and interculturalism. Basingstoke: Palgrave Macmillan.
Madden, C. (2012) The children they wished to forget. Available at: http://christine-madden.com/2012/10/.
Mahmood, S. (2009) ‘Religious Reason and Secular Affect: An Incommensurable Divide?’, Critical Inquiry, 35(4), pp. 836–862. Available at: https://doi.org/10.1086/599592.
Milo, R. (2013) ‘The Civil Wars’.
Milo, R. (no date) ‘Breivik’s Statement’.
Performing the secular: religion, representation, and politics (2017). Basingstoke: Palgrave Macmillan.
Protokoll, R. (no date) ‘Radio Muezzin’.
Rau, M. (2016) Die Europa trilogie: the civil wars, the dark ages, Empire. Erste Auflage. Berlin, [Germany]: Verbrecher Verlag.
Rau, M. (no date) ‘The Mosco Trials’.
‘Reflections on Violence, Law, and Humanitarianism’ (no date) Critical Inquiry, 41(2), pp. 390–427. Available at: http://0-www.journals.uchicago.edu.pugwash.lib.warwick.ac.uk/doi/abs/10.1086/679081?journalCode=ci.
Sharma, P. et al. (2009) ‘A jihad for love’. New York, NY: First Run Features.
Stella, F. (2013) ‘Queer Space, Pride, and Shame in Moscow’, Slavic Review, 72(03), pp. 458–480. Available at: https://doi.org/10.5612/slavicreview.72.3.0458.
Stephens, S. (2008) Pornography. London: Methuen Drama. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2697929.
Tan, M.C.C. (2013) ‘Between Sound and Sight: Framing the Exotic in Roysten Abel’s The Manganiyar Seduction’, Theatre Research International, 38(1), pp. 47–61. Available at: https://0-literature-proquest-com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R04972818&divLevel=0&queryId=3010625736710&trailId=15DE124BF81&area=criticism&forward=critref_ft.
Taylor, C. (2007) A secular age. Cambridge, Mass: Belknap Press of Harvard University Press.
‘The Blue Boy’ (no date a).
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‘Three Days of Terror - Paris Attacks Special Report (BBC)’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0BC7C302?bcast=120815709.
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