Bibliography for TH336: Contemporary European Theatre: Representations, Ethics, Politics BETA

Agamben, G. (2000) Means without end: notes on politics. Minneapolis: University of Minnesota Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SMeans%20without%20end%3A%20notes%20on%20politics%20agamben__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Arendt, H. (1972) ‘The Decline of the Nation-State and the End of the Rights of Man’, in The origins of totalitarianism. [2nd ed]. New York: World Publishing, pp. 267–304. Available at: https://contentstore.cla.co.uk/secure/link?id=03a46f02-dda1-e711-80cb-005056af4099.

Arias, L. (2016) ‘Minefield’.

Balibar, É. (2004) We, the people of Europe?: reflections on transnational citizenship. English ed. Princeton, N.J.: Princeton University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2578281.

Balme, C. (2007) ‘Tropes of Mixture: Reassessing Multiculturalism and Performance in Germany’,.

Benhabib, S. (2004) The rights of others: aliens, residents, and citizens. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SThe%20rights%20of%20others%3A%20aliens%2C%20residents%2C%20and%20citizens__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Biemann, U. (2005) ‘Black Sea files’. Zurich: [Ursula Biemann].

Biemann, U. (2008) ‘Sahara chronicle: a collection of videos on mobility and the politics of containment in the Sahara’. Zürich: Geobodies.

Biemann, U. and Sanders, A. (2003) ‘Europlex’. Zürich: Geobodies.

Bishop, C. (2012) ‘Delegated Performance: Outsourcing Authenticity’, October, 140, pp. 91–112. Available at: https://doi.org/10.1162/OCTO_a_00091.

Booker, C. (2003) ‘The Real Deceit of Edward Heath: 1970-1973’, in The great deception: a secret history of the European Union. New York: Continuum, pp. 134–157. Available at: https://contentstore.cla.co.uk/secure/link?id=c1fed930-999f-e711-80cb-005056af4099.

Brent Meersman (2011) ‘Theater Festivals and Their Audiences’, Theater, 41(1), pp. 79–103. Available at: https://doi.org/10.1215/01610775-2010-024                                  10.1215/01610775-2010-024.

Brittain, V., Slovo, G., and Tricycle Theatre (2004) Guantanamo: ‘honor bound to defend freedom’. London: Oberon Books. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3101849.

Brown, W., Iordanova, D. and Torchin, L. (2010) Moving people, moving images: cinema and trafficking in the new Europe. St Andrews: St Andrews Film Studies.

Butler, J. (2006) ‘Precarious Life’, in Precarious life: the powers of mourning and violence. London: Verso, pp. 128–152. Available at: https://contentstore.cla.co.uk/secure/link?id=9daa4998-969f-e711-80cb-005056af4099.

Castellucci, R. and Societas Raffaello Sanzio (Theatrical company) (2007) ‘Tragedia endogonidia’. [Roma]: Raro Video.

Cavani, L., Bogarde, D. and Rampling, C. (2006) ‘The night porter’. [U.K.]: Anchor Bay Entertainment UK.

Delgado, M.M. (2015) ‘Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory’, Theatre Journal, 67(2), pp. 177–196. Available at: https://doi.org/10.1353/tj.2015.0042.

Delgado, M.M. and Rebellato, D. (2010a) Contemporary European theatre directors. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2543327.

Delgado, M.M. and Rebellato, D. (2010b) Contemporary European theatre directors. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2543327.

Demos, T.J. (2008) ‘Sahara Chronicle: Video’s Migrant Geography’, in Ursula Biemann, mission reports: artistic practice in the field : video works, 1998-2008. Umeá [Sweden]: Published by Bildmuseet, Umeá University in collaboration with Arnolfini, pp. 178–190.

Diana Taylor (2006) ‘Trauma and Performance: Lessons from Latin America’, PMLA, 121(5), pp. 1674–1677. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25501645?seq=1#page_scan_tab_contents.

Džalto, Davor (2013) ‘Religion, politics, and beyond: the Pussy Riot case’, Journal of Religion and Society, 15. Available at: http://www.ssoar.info/ssoar/handle/document/34499?

Estrada-Fuentes, M. (2016) ‘In the Battlefield: girls, love and sex during wartime in Colombia’, Lateral, 5(2). Available at: http://csalateral.org/upcoming/leveraging-justice/.

Eurovision Song Contest (2004) ‘Eurovision Song Contest, Istanbul 2004’. [S.l.]: CMC Entertainment.

Eurovision Song Contest (2005) ‘Eurovision Song Contest, Kyiv 2005’. [S.l.]: CMC Entertainment.

Eurovision Song Contest (2007) ‘Eurovision Song Contest, Helsinki 2007’. [S.l.]: CMC Entertainment.

Eurovision Song Contest official website (no date). Available at: https://eurovision.tv/.

‘Eurovision’s Greatest Hits’ (no date). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/09BB47D6?bcast=115376008.

Fricker, K. and Gluhovic, M. (eds) (2013) Performing the ‘new’ Europe: identities, feelings and politics in the Eurovision Song Contest. New York: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2683087.

Ghazali, A. (2001) The Sheep and the Whale.

Gilbert, H. and Lo, J. (2007) Performance and cosmopolitics: cross-cultural transactions in Australasia. Basingstoke [England]: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2520286.

Glowacka, D. and Zylinska, J. (2007) Imaginary neighbors: mediating Polish-Jewish relations after the Holocaust. Lincoln: University of Nebraska Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3101861.

Gluhovic, M. (2013a) Performing European memories: trauma, ethics, politics. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2683084.

Gluhovic, M. (2013b) Performing European memories: trauma, ethics, politics. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2683084.

Hauptfleisch, T. and International Federation for Theatre Research. Theatre and Intermediality Working Group (2007a) Festivalising!: theatrical events, politics and culture. Amsterdam: Rodopi. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2938972.

Hauptfleisch, T. and International Federation for Theatre Research. Theatre and Intermediality Working Group (2007b) Festivalising!: theatrical events, politics and culture. Amsterdam: Rodopi. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2938972.

Hentschker, F. (ed.) (2013) New plays from Spain: eight works by seven playwrights. New York: Martin E. Segal Theatre Center Publications.

Hirsch, M. (1999) ‘Projected Memory: Holocaust Photographs in Personal and Public Fantasy’, in Acts of memory: cultural recall in the present. Hanover, NH: Dartmouth College, pp. 3–23. Available at: https://contentstore.cla.co.uk/secure/link?id=b34aad9f-d2a1-e711-80cb-005056af4099.

Hirsch, M. and Spitzer, L. (2009) ‘The witness in the archive: Holocaust Studies/ Memory Studies’, Memory Studies, 2(2), pp. 151–170. Available at: https://doi.org/10.1177/1750698008102050.

Holc, J.P. (2002) ‘Working through Jan Gross’s Neighbors’, Slavic Review, 61(03), pp. 453–459. Available at: https://doi.org/10.2307/3090294.

Hyndman, J. and Giles, W. (2011) ‘Waiting for what? The feminization of asylum in protracted situations’, Gender, Place & Culture, 18(3), pp. 361–379. Available at: https://doi.org/10.1080/0966369X.2011.566347.

Kantor, T. et al. (2006) ‘Umarła klasa’. Kraków: Cricoteka.

Kershaw, B. (1999) The radical in performance: between Brecht and Baudrillard. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3102499.

Kevin Robins (2007) ‘Transnational Cultural Policy and European Cosmopolitanism’, Cultural Politics, 3(2), pp. 147–174. Available at: https://doi.org/10.2752/174321907X194002                                  10.2752/174321907X194002.

Knittel, S. (2016) ‘The Ruins of Europe: Milo Rau’s Europe Trilogy and the (Re)Mediation of the Real’, Frame, 29(1), pp. 41–59. Available at: https://arlir.iii.com/nonret~S0&atitle=The+Ruins+of+Europe:+Milo+Rau%99s+Europe+Trilogy+and+the+(Re)Mediation+of+the+Real&title=Frame&aufirst=Susanne&auinit=&aulast=Knittel&issn=&eissn=&coden=&volume=29&issue=1&spage=41&epage=59&quarter=&ssn=&date=2016&sid=&reqtype3.

Lanzmann, C., Films Aleph, and Historia Films (2007) ‘Shoah’. [U.K.]: Eureka.

‘Las Sin Tierra – 7 Attempted Crossings of the Straits of Gibraltar’ (2004).

Luscombe, T. (2006) The Schuman plan. London: Nick Hern Books.

Mnouchkine, A. et al. (2006) ‘La dernier caravansérail: Odyssées’. [Paris]: Arte Video.

National Theatre, Our Class (no date). Available at: http://www.nationaltheatre.org.uk/49663/productions/our-class.html.

Pakier, M. and Stråth, B. (2010) A European memory?: contested histories and politics of remembrance. New York: Berghahn Books. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3101863.

Paravidino, F. (2002) Genoa 01. Available at: https://www.theguardian.com/stage/2002/mar/02/theatre.artsfeatures.

Pinter, H. (1997) Ashes to ashes. 1st Grove Press ed., 1st Amer. ed. New York: Grove Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2724766.

Piovesan, C. et al. (2011) ‘The whistleblower’. [U.K.]: High Fliers Films.

Rau, M. (2013a) ‘The Civil Wars’.

Rau, M. (2013b) ‘The Moscow Trials’.

Rau, M. et al. (2016a) Die Europa Trilogie. Erste Auflage =. Edited by S. Bläske and M. Knapp. Berlin: Verbrecher Verlag. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3101550.

Rau, M. et al. (2016b) Die Europa Trilogie. Erste Auflage =. Edited by S. Bläske and M. Knapp. Berlin: Verbrecher Verlag. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3101550.

Raykoff, I. and Tobin, R.D. (2007) A song for Europe: popular music and politics in the Eurovision Song Contest. Aldershot, England: Ashgate. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3101884.

Reason, M. (2006) ‘Glasgow’s year of culture and discourses of cultural policy on the cusp of globalisation’, Contemporary Theatre Review, 16(1), pp. 73–85. Available at: https://doi.org/10.1080/10486800500451021.

‘Reflections on Violence, Law, and Humanitarianism’ (no date) Critical Inquiry, 41(2), pp. 390–427. Available at: http://0-www.journals.uchicago.edu.pugwash.lib.warwick.ac.uk/doi/abs/10.1086/679081?journalCode=ci.

Reinelt, J. (2016) ‘When is “Labour” a Coerced Performance? Trafficking, sex work, and consent’, Lateral, 5(2). Available at: http://csalateral.org/issue/5-2/coerced-performances-trafficking-sex-work-consent-reinelt/.

Sassatelli, M. (2002) ‘Imagined Europe’, European Journal of Social Theory, 5(4), pp. 435–451. Available at: https://doi.org/10.1177/136843102760513848.

Schlingensief, C. et al. (2006) ‘Ausländer Raus!: Schlingensiefs Container’. Wien: Hoanzl.

Senior Nello, S. (2012) ‘"An Introduction to European Integration: Definitions and Terminology,” and “A Brief History of European Integration”’, in The European Union: economics, policies and history. 3rd ed. London: McGraw-Hill Higher Education, pp. 1–34. Available at: https://contentstore.cla.co.uk/secure/link?id=56f1f42d-cda1-e711-80cb-005056af4099.

Słobodzianek, T. and Craig, R. (2009) Our class: a new play. London: Oberon Books. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3101842.

Smith, S. and Bissett, C. (2011) Roadkill. London: Oberon Books Ltd. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3101853.

Szuszies, D. et al. (2003) ‘Resist’. Brooklyn, N.Y.: First Run/Icaurs Films.

The project’s website. (no date). Available at: http://www.seas.se/.

‘The Sheep and the Whale’ (2007). Toronto.

Theresia Walser (2006) ‘Our Forests Haven’t Been This Wild in Forever’, Theater, 36(3), pp. 43–80. Available at: https://doi.org/10.1215/01610775-2006-004                                  10.1215/01610775-2006-004.

Tunstall, K.E. (2006) Displacement, asylum, migration: the Oxford Amnesty lectures 2004. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SDisplacement%2C%20asylum%2C%20migration%3A%20the%20Oxford%20Amnesty%20lectures%202004__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Tverdova, Y.V. (2011) ‘Human Trafficking in Russia and Other Post-Soviet States’, Human Rights Review, 12(3), pp. 329–344. Available at: https://doi.org/10.1007/s12142-010-0188-1.

Wajda, A. et al. (2009) ‘Katyn’. [S.l.]: Artificial Eye.

Waszyński, M. et al. (2005) ‘The Dybbuk’. New York, NY: Bel Canto Society.

Wendy S. Hesford (2006) ‘Staging Terror’, TDR: The Drama Review, 50(3), pp. 29–41. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/4492693?seq=1#page_scan_tab_contents.

Wilkinson, J. (2006) ‘The Place of the European Foreigner in Contemporary German Drama’, Third Text, 20(6), pp. 755–764. Available at: https://doi.org/10.1080/09528820601072924.

Wunderbaum (2008) ‘Beer Tourist’.

Zmijewski, A. (2007) ‘Them’.

Zmijewski, A. (no date) ‘80064’.