Bibliography for FI102: The Hollywood Cinema (Term 1) BETA

Adorno, T.W. (1991a) The culture industry: selected essays on mass culture. Edited by J.M. Bernstein. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2578964.

Adorno, T.W. (1991b) The culture industry: selected essays on mass culture. Edited by J.M. Bernstein. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2578964.

Adorno, T.W. and Horkheimer, M. (1997) Dialectic of enlightenment. London: Verso.

Altman, C.F. (1977) ‘Towards a Historiography of American Film’, Cinema Journal, 16(2). Available at: https://doi.org/10.2307/1225381.

Altman, R. (1999) ‘Chapter 2: “What is generally understood by the notion of film genre”’, in Film/genre. London: British Film Institute, pp. 13–28. Available at: https://contentstore.cla.co.uk/secure/link?id=496dd74e-5ca7-e711-80cb-005056af4099.

‘An American in Paris (1951)’ (no date). Channel 5. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0007FF03?bcast=120763403.

Armour, N. (no date) ‘The Machine Art of Dziga Vertov and Busby Berkeley’. Available at: http://www.imagesjournal.com/issue05/features/berkeley-vertov.htm.

Arroyo, J. (2000) ‘Mission Sublime’, in Action/spectacle cinema: a sight and sound reader. London: British Film Institute, pp. 21–25. Available at: https://contentstore.cla.co.uk/secure/link?id=005c9dbd-6298-e711-80cb-005056af4099.

Arroyo, J. (no date) La La Land. Available at: https://notesonfilm1.com/2017/01/26/la-la-land-damien-chazelle-usa-2016/.

Arturo Silva (2005) ‘Vincente Minnelli’s Dream of Tony Hunter’s “Band Wagon’s” “Girl Hunt”’, Film Criticism, 30(1), pp. 2–20. Available at: https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/200951181/B13B50D183924192PQ/3?accountid=14888.

Bacon, L. et al. (2005) ‘42nd Street’. Burbank, CA: Warner Bros. Entertainment, Turner Entertainment Co.

Bacon, L. and Berkeley, B. (1997) ‘Footlight parade’. [U.K.]: [s.n.].

Berman, P.S. et al. (2007) ‘Top hat’. [United Kingdom]: Sony Pictures Home Entertainment/Universal Studios. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000228FB?bcast=114304759.

Bevan, T. et al. (2016) ‘Hail, Caesar!’ [London]: Universal Pictures (UK) Ltd.

Biskind, P. (1998) Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll  generation saved Hollywood. London: Bloomsbury.

‘Bonnie and Clyde (1967)’ (no date). ITV London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052.

Booker, M.K. (2007) Postmodern Hollywood: what’s new in film and why it makes us feel so strange. Westport, Conn: Praeger.

Bordwell, D. (2006) The way Hollywood tells it: story and style in modern movies. Berkeley: University of California Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2668420.

Bordwell, D., Staiger, J. and Thompson, K. (1985a) The classical Hollywood cinema: film style & mode of production to  1960. London: Routledge & Kegan Paul. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2525747__SThe%20classical%20Hollywood%20cinema%3A%20film%20style%20%26%20mode%20of%20production%20to%201960__Orightresult__U__X4?lang=eng&suite=cobalt.

Bordwell, D., Staiger, J. and Thompson, K. (1985b) The classical Hollywood cinema: film style & mode of production to  1960. London: Routledge & Kegan Paul. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2525747.

Britton, A. (1988) ‘The Philosophy of the pigeonhole: Wisconsin formalism and “The Classical Style”’, CineAction!, (15), pp. 47–63. Available at: https://contentstore.cla.co.uk/secure/link?id=179732f0-8543-e611-80bd-0cc47a6bddeb.

Britton, A. and Grant, B.K. (2009) Britton on film: the complete film criticism of Andrew Britton. Detroit: Wayne State University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2988759.

Brooker, P. and Brooker, W. (1997) Postmodern after-images: a reader in film, television and video. London: Arnold.

Brunsdon, C. (1994) ‘Genre’, in The women’s companion to international film. Berkeley: University of California Press, pp. 172–173. Available at: https://contentstore.cla.co.uk/secure/link?id=8d759f16-5da7-e711-80cb-005056af4099.

Carr, S.A. (2000) ‘“From ‘Fucking Cops’ to ‘Fucking Media’: Bonnie and Clyde for a Sixties America”’, in Arthur Penn’s ‘Bonnie and Clyde’. Cambridge: Cambridge University Press, pp. 70–100. Available at: https://contentstore.cla.co.uk/secure/link?id=a925eebe-b197-e711-80cb-005056af4099.

Carroll, N. (1982) ‘The Future of Allusion: Hollywood in the Seventies (And beyond)’, October, 20. Available at: https://doi.org/10.2307/778606.

Celestino Deleyto (1992) ‘Self-Consciousness and the Classical Text: An Analysis of “Swing Time”’, Film Criticism, 16(3), pp. 17–33. Available at: https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/222722630/3A186D0437864521PQ/5?accountid=14888.

Chazelle, D. et al. (2017) ‘La La Land’. [London]: Lionsgate Home Entertainment, UK.

Cohan, S. (2002) ‘Introduction: musicals of the Studio Era’, in The Hollywood musicals: the film reader. London: Routledge, pp. 1–17.

Collins, J. (1989) Uncommon cultures: popular culture and post-modernism. New York: Routledge.

Constable, C. (2015) Postmodernism and film: rethinking Hollywood’s aesthetics. London: Wallflower Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3013083.

Cook, D.A. (2002) Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. Berkeley: University of California Press.

Croce, A. (1977) ‘Chapter on Swing Time’, in The Fred Astaire & Ginger Rogers book. New York: Vintage Books, pp. 99–117.

Degli-Esposti, C. (1998) Postmodernism in the cinema. New York: Berghahn.

Dyer, R. (1981) ‘Entertainment and utopia’, in Genre: the musical : a reader. London: Routledge & Kegan Paul in association with the British Film  Institute, pp. 175–189. Available at: https://contentstore.cla.co.uk/secure/link?id=0dfe4529-61a7-e711-80cb-005056af4099.

Dyer, R. (2002) The culture of queers. London: Routledge.

Feuer, J. (1985) ‘Hollywood Musicals: Mass Art as Folk Art’, in Jump cut: Hollywood, politics and counter cinema. Toronto: Between The Lines, pp. 52–63. Available at: https://contentstore.cla.co.uk/secure/link?id=aff8f715-76a7-e711-80cb-005056af4099.

Fleming, V. et al. (1996) ‘Blonde bombshell’. [London]: Channel 4.

Fordin, H., Fordin, H., and Metro-Goldwyn-Mayer (1996) M-G-M’s greatest musicals: the Arthur Freed unit. New York: Da Capo Press.

Fosse, B. et al. (2003) ‘All that jazz’. [U.K.]: 20th Century Fox Home Entertainmemt.

Gallafent, E. (2000) ‘Chapter 2: The Argument of Time: The Later RKO Musicals’, in Astaire & Rogers. Moffat: Cameron & Hollis, pp. 52–100. Available at: https://contentstore.cla.co.uk/secure/link?id=3321ff75-1aa8-e711-80cb-005056af4099.

Garrett, R. (2007) Postmodern chick flicks: the return of the woman’s film. Basingstoke: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2526302.

‘Gilda (1946)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001964F6?bcast=57324757.

Gledhill, C. (2000) ‘Rethinking Genre’, in Reinventing film studies. London: Arnold, pp. 221–244. Available at: https://contentstore.cla.co.uk/secure/link?id=6cb35a1c-ba5d-e811-80cd-005056af4099.

Gomery, D. (2005) The Hollywood studio system: a history. London: BFI.

Grant, B. (2003) ‘Genre Films and Cultural Myth’, Film International, (1), pp. 27–35. Available at: http://filmint.nu/?p=1689.

Hansen, M. (2000) ‘The Mass Production of the Senses: Classical Cinema as Vernacular Modernism’, in Reinventing film studies. London: Arnold, pp. 332–350.

Harvey, S. (1989) ‘Chapter 3: Musicals’, in Directed by Vincente Minnelli. New York: Museum of Modern Art, pp. 37–157. Available at: https://contentstore.cla.co.uk/secure/link?id=00bd1fbb-79a7-e711-80cb-005056af4099.

‘High School Musical 2 (2007)’ (no date). BBC3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00709AFD?bcast=86850075.

‘High School Musical (2006)’ (no date). BBC3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005BB71F?bcast=49998350.

Hillier, J. (1993) The new Hollywood. London: Studio Vista.

Jewell, R.B. (1994) ‘RKO Film Grosses, 1929-1951: The C.J. Tevlin ledger’, Historical Journal of Film, Radio and Television, 14(1), pp. 37–49. Available at: https://doi.org/10.1080/01439689400260031.

Kelly, G. et al. (2000) ‘Singin’ in the rain’. [United Kingdom]: Turner Entertainment Co. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0018C80D?bcast=123188027.

King, G. (2001) ‘New Hollywood, Version I: The Hollywood Renaissance’, in New Hollywood Cinema: An Introduction, pp. 11–48. Available at: https://contentstore.cla.co.uk/secure/link?id=cf60cd3b-a643-e611-80bd-0cc47a6bddeb.

Krämer, P. (2005) The new Hollywood: from Bonnie and Clyde to Star Wars. London: Wallflower. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3004258.

LeRoy, M. et al. (1993) ‘Gold diggers of 1933’. [London]: BBC2.

Lima, K. (no date) ‘Enchanted [videorecording]’.

Lyotard, J.-F. (1992) ‘Notes on the Meaning of "Post-”’, in The postmodern explained to children: correspondence 1982-1985. Sydney: Power Publications, pp. 87–93. Available at: https://contentstore.cla.co.uk/secure/link?id=0eb78b90-5e98-e711-80cb-005056af4099.

MacMillan, R. (1981) ‘Hollywood in the 1930s: a discussion with Pauline Kael’’, Historical Journal of Film, Radio and Television, 1(2), pp. 151–159. Available at: https://doi.org/10.1080/01439688100260131.

Maltby, R. (2003) Hollywood cinema. 2nd ed. Oxford: Blackwell.

Marshall, R. (no date) ‘Chicago [videorecording]’.

Minnelli, V. et al. (2004) ‘Meet me in St. Louis’. [United States]: Turner Entertainment Co. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0004459F?bcast=114714690.

Minnelli, V. et al. (2005a) ‘The band wagon’. [S.l.]: Turner Entertainment, Co. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00039578?bcast=92106116.

Minnelli, V. et al. (2005b) ‘The band wagon’. [S.l.]: Turner Entertainment, Co.

‘Mission: Impossible (1996)’ (no date). ITV London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0009C76E?bcast=124223565.

Mueller, J. (1984) ‘Fred Astaire and the Integrated Musical’, Cinema Journal, 24(1). Available at: https://doi.org/10.2307/1225307.

Neale, S. and British Film Institute (2002) Genre and contemporary Hollywood. London: British Film Institute.

Neale, S. and Smith, M. (1998) Contemporary Hollywood cinema. London: Routledge.

Norofjoro, B. (2012) ‘The Post-modern Transnational Film Musical’, in The international film musical. Edinburgh: Edinburgh University Press, pp. 241–257. Available at: https://contentstore.cla.co.uk/secure/link?id=e9b3c9b6-cdca-e711-80cd-005056af4099.

Penn, A. et al. (1998) ‘Bonnie and Clyde’. [U.K.]: Warner Home Video.

Prince, S. (2002) A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: University of California Press.

Pye, D. (1989) ‘Bordwell and Hollywood’, Movie, 33, pp. 46–52.

Pye, M. and Myles, L. (1979) The movie brats: how the film generation took over Hollywood. London: Faber.

Roddick, N. (1983) ‘Chapter 2: Warner Brothers and the Studio System’, in A new deal in entertainment: Warner Brothers in the 1930s. London: British Film Institute, pp. 16–28. Available at: https://contentstore.cla.co.uk/secure/link?id=821325c1-39a8-e711-80cb-005056af4099.

Roth, M. (1981) ‘Some Warners Musicals and the Spirit of the New Deal’, in Genre: the musical : a reader. London: Routledge & Kegan Paul in association with the British Film  Institute, pp. 41–57. Available at: https://contentstore.cla.co.uk/secure/link?id=5c392183-36a8-e711-80cb-005056af4099.

Sandrich, M. and Berlin, I. (1999) ‘Follow the fleet’. [London]: Channel 5. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001C37BD?bcast=114251543.

Sarris, A. (1998) ‘Chapter 1: “The Hollywood Studios” & part of Chapter 2 : Genres:The Musical’, in You Ain’T Heard Nothing Yet" - The American Talking Film - History And Memory 1927-1949. Oxford University Press, pp. 22–67. Available at: https://contentstore.cla.co.uk/secure/link?id=eeca731c-d5a9-e711-80cb-005056af4099.

Schatz, T. (1981) ‘Chapter 7 – The Musical’, in Hollywood genres: formulas, film making, and the studio system. 1st ed. New York, N.Y.: McGraw-Hill, pp. 186–218. Available at: https://contentstore.cla.co.uk/secure/link?id=a3be9925-85a7-e711-80cb-005056af4099.

Schatz, T. (1989a) The genius of the system: Hollywood filmmaking in the studio era. London: Simon & Schuster.

Schatz, T. (1989b) The genius of the system: Hollywood filmmaking in the studio era. London: Simon & Schuster.

Schatz, T. (1993) ‘The New Hollywood’, in Film theory goes to the movies. London: Routledge, pp. 8–36. Available at: https://contentstore.cla.co.uk/secure/link?id=1eae201c-c897-e711-80cb-005056af4099.

Sedgwick, J. (1994) ‘Richard B. Jewell’s RKO Film Grosses, 1929-1951: The C.J. Trevlin Ledger: A comment’, Historical Journal of Film, Radio and Television, 14(1), pp. 51–58. Available at: https://doi.org/10.1080/01439689400260041.

Shindler, C. (1996) Hollywood in crisis: cinema and American society, 1929-1939. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2900295.

Sie, T. (no date) ‘Step Up 1-5 [videorecording]’.

Smith, P. and Wilde, C. (2002) A companion to art theory. Oxford: Blackwell. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2098592.

‘Special: High School Musical 3: Senior Year (2008)’ (no date). Channel 5. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01601539?bcast=82006237.

‘Step Up 3 (2010)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01CA3CD0?bcast=121108174.

‘Step Up: Miami Heat (2012)’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/057AF235?bcast=124941128.

Stevens, G. et al. (2006) ‘Swing time’. [U.K.]: Universal Pictures (UK).

Taylor, D. et al. (2011) ‘The Gay divorcee’. [U.K.]: BBC.

The Merry Widow (2013). Warner Bros. Digital Dist.

The Smiling Lieutenant (2015). Allied Vaughn.

Thorpe, R. and Lanza, M. (2001) ‘The great Caruso’. [London]: BBC2. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0014C5DD?bcast=124513050.

Vidor, C. et al. (1999) ‘Gilda’. London: Columbia Tristar Home Video.

Walters, C. (1990) ‘Summer stock: If you feel like singing’. [U.K.]: [s.n.].

Wood, R. (2002) Hitchcock’s films revisited. Rev. ed. New York: Columbia University Press.

Wyatt, J. (1994) High concept: movies and marketing in Hollywood. Austin: University of Texas Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3009426.

Yockey, M. (ed.) (2017) Make ours Marvel: media convergence and a comics universe. First edition. Austin: University of Texas Press.