Bantjes, J. et al. (2015) ‘When they call me cripple: a group of South African adolescents with cerebral palsy attending a special needs school talk about being disabled’, Disability & Society, 30(2), pp. 241–254. Available at: https://doi.org/10.1080/09687599.2014.997352.
BBC: Hip hop down under (no date). Available at: http://www.bbc.co.uk/1xtra/tx/documentaries/hip_hop_down_under.shtml.
Berggreen, S.-L.C. and Lustyik, K. (2004) ‘Lilo vs. Dora: Interculturalism through the lens of Disney and Nickelodeon’. Available at: https://pdfs.semanticscholar.org/6722/d9230e57cbf4f649b808a1afc85df848cf7c.pdf.
‘Between word, image and movement : performative critiques of colonial ethnography’ (no date) Témoigner: Testimony Between History and Memory, Auschwitz Foundation International Quarterly [Preprint], (121). Available at: http://wrap.warwick.ac.uk/71831/.
Bharucha, R. (1993a) Theatre and the world: performance and the politics of culture. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535459.
Bharucha, R. (1993b) Theatre and the world: performance and the politics of culture. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2535459.
‘Bran Nue Dae Movie’ (no date). Available at: https://www.youtube.com/watch?v=RnGRdaX594k.
Brau, L. (1990) ‘The Women’s Theatre of Takarazuka’, TDR (1988-), 34(4). Available at: https://doi.org/10.2307/1146045.
Brown, D. (2006) ‘Stories of Land, Land of Stories: Aboriginality, Identity and Belonging in South Africa and Beyond’, in To speak of this land: identity and belonging in South Africa and beyond. Scottsville, South Africa: University of KwaZulu-Natal Press, pp. 7–35. Available at: https://contentstore.cla.co.uk/secure/link?id=5cf90f23-8643-e611-80bd-0cc47a6bddeb.
Chikha, C.B. and Arnaut, K. (2013) ‘Staging/caging “otherness” in the postcolony: spectres of the human zoo’, Critical Arts, 27(6), pp. 661–683. Available at: https://doi.org/10.1080/02560046.2013.867589.
Crow, B. and Banfield, C. (1996) An introduction to post-colonial theatre. Cambridge: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2792697.
De Waarheidscommissie | action zoo humain (no date). Available at: https://www.actionzoohumain.be/nl/productie/de-waarheidscommissie.
Diana Taylor (1998) ‘A Savage Performance: Guillermo Gómez-Peña and Coco Fusco’s “Couple in the Cage”’, TDR (1988-), 42(2), pp. 160–175. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1146705?seq=1#page_scan_tab_contents.
Du Gay, P. and Hall, S. (1996) Questions of cultural identity. London: Sage. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2986425.
Fleishman, M. (2005) ‘“Stories like the wind”: Recontextualising /Xam narratives for contemporary audiences’, South African Theatre Journal, 19(1), pp. 43–57. Available at: https://doi.org/10.1080/10137548.2005.9687801.
Fleishman, M. and Hinkel, A. (2004) ‘Rain in a Dead man’s Footprints’. Magnet Theatre. Available at: https://magnettheatre.co.za/productions/rain-in-a-dead-mans-footprints/.
Francis, K. (2006) ‘Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director Mark Fleishman’, South African Theatre Journal, 20(1), pp. 102–127. Available at: https://doi.org/10.1080/10137548.2006.9687828.
FTH:K - from the hip : khulumakhale (no date). Available at: http://www.fthk.co.za/about_fthk/about_the_company.htm.
Get involved – Akram Khan Company (no date). Available at: http://www.akramkhancompany.net/get-involved/.
Gilbert, H. (2001a) Postcolonial plays: an anthology. London: Routledge.
Gilbert, H. (2001b) Postcolonial plays: an anthology. London: Routledge.
Gilbert, H. (2001c) Postcolonial plays: an anthology. London: Routledge.
Gilbert, H. (2001d) Postcolonial plays: an anthology. London: Routledge.
Girish Karnad (1989) ‘Theatre in India’, Daedalus, 118(4), pp. 330–352. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20025275.
Gómez-Peña, G. et al. (1993) ‘The couple in the cage: a Guatinaui odyssey’. New York, NY: Third World Newsreel.
Halligey, A. (2005) ‘Re-inventing mythologies: arguments towards cultural identity in and’, South African Theatre Journal, 19(1), pp. 208–222. Available at: https://doi.org/10.1080/10137548.2005.9687812.
Harding, J.M. (2013) The ghosts of the avant-garde(s): exorcising experimental theater and performance. Ann Arbor: University of Michigan Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2721296.
Heldke, L. (2001) ‘“Let’s Eat Chinese!”: Reflections on Cultural Food Colonialism’, Gastronomica, 1(2), pp. 76–79. Available at: https://doi.org/10.1525/gfc.2001.1.2.76.
Highmore, B. (2008) ‘Alimentary Agents: Food, Cultural Theory and Multiculturalism’, Journal of Intercultural Studies, 29(4), pp. 381–398. Available at: https://doi.org/10.1080/07256860802372337.
Hwang, D.H. (1989a) ‘Evolving a Multicultural Tradition’, MELUS, 16(3). Available at: https://doi.org/10.2307/467559.
Hwang, D.H. (1989b) M. Butterfly. New York: Penguin.
Hwang, D.H. and DiGaetani, J.L. (1989) ‘“M. Butterfly”: An Interview with David Henry Hwang’, TDR (1988-), 33(3). Available at: https://doi.org/10.2307/1145993.
Inala (no date). Available at: http://inala.co.uk/home.
Indigenous Hip Hop Projects – Dream big (no date). Available at: https://www.indigenoushiphop.com/.
‘Introducing INALA - A Zulu Ballet’ (no date). Available at: https://www.youtube.com/watch?v=C2setLx1_DE.
Kapsali, M. (2013) ‘Rethinking actor training: training body, mind and … ideological awareness’, Theatre, Dance and Performance Training, 4(1), pp. 73–86. Available at: https://contentstore.cla.co.uk/secure/link?id=4f62c72e-72da-e711-80cd-005056af4099.
Karnad, G. (1995) ‘Performance, Meaning, and the Materials of Modern Indian Theatre’, New Theatre Quarterly, 11(44). Available at: https://doi.org/10.1017/S0266464X00009337.
Knowles, R.P. (2010) Theatre and interculturalism. Basingstoke: Palgrave Macmillan.
Kruger, M. (2009) ‘The Relationship between Theatre and Ritual in the Sogo bò of the Bamana from Mali’, New Theatre Quarterly, 25(03). Available at: https://doi.org/10.1017/S0266464X09000414.
Maio, K. (no date) ‘Disney’s Dolls’, New Internationalist [Preprint], (308). Available at: https://newint.org/features/1998/12/05/dolls/.
Makeham, Paul (no date) ‘Singing the landscape: “Bran Nue Dae”’, Australasian Drama Studies; St Lucia, Qld., 28. Available at: https://eprints.qut.edu.au/7198/1/7198.pdf.
Marranca, B. and Dasgupta, G. (1991) Interculturalism and performance: writings from PAJ. New York: PAJ.
McLeod, J. (2000) Beginning postcolonialism. Manchester: Manchester University Press.
‘Me and my Girl’ (1995). Available at: https://www.youtube.com/watch?v=CytWuYSYMBs.
Millar, M. (2006) Journey of the Tall Horse: a story of African theatre. London: Oberon.
Mnouchkine, A. et al. (2002) ‘Tambours sur la digue’. [Paris]: Arte Video.
Mnouchkine, A. et al. (2006) ‘La dernier caravansérail: Odyssées’. [Paris]: Arte Video.
Nayak, A. (2006) ‘After race: Ethnography, race and post-race theory’, Ethnic and Racial Studies, 29(3), pp. 411–430. Available at: https://doi.org/10.1080/01419870600597818.
Nobuko Anan (2011) ‘Two-Dimensional Imagination in Contemporary Japanese Women’s Performance’, TDR: The Drama Review, 55(4), pp. 96–112. Available at: http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/457623.
Pavis, P. (1996) ‘Introduction: Towards a theory of interculturalism in theatre?’, in The intercultural performance reader. London: Routledge, pp. 1–21. Available at: https://contentstore.cla.co.uk/secure/link?id=82541991-bd43-e611-80bd-0cc47a6bddeb.
Pavis, Patrice (1996) The intercultural performance reader. London: Routledge.
Powell, D. and Sze, F. (2004) Sze, "How interculturalism Performs: Performativity, performability and the theatricality of interculturalism”, in Interculturalism: exploring critical issues. Electronic version. Oxford: Inter-Disciplinary Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3100862.
Roach, J. (no date) World-Bank Drama, ESQ: A Journal of the American Renaissance. Available at: http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/563731/pdf.
‘Rose of Versailles - Ai Areba Koso’ (2001). Available at: https://www.youtube.com/watch?v=ldcDN6-zi4c.
Rustom Bharucha (2004) ‘Foreign Asia/Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization’, Theatre Journal, 56(1), pp. 1–28. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25069375?seq=1#page_scan_tab_contents.
Sadler’s Wells Theatre - London’s Dance House (no date a). Available at: http://www.sadlerswells.com/.
Sadler’s Wells Theatre - London’s Dance House (no date b). Available at: http://www.sadlerswells.com/.
Said, E. (1993a) ‘From Orientalism’, in Colonial discourse and post-colonial theory: a reader. New York: Harvester Wheatsheaf, pp. 132–149. Available at: https://contentstore.cla.co.uk/secure/link?id=4c711f97-ca43-e611-80bd-0cc47a6bddeb.
Said, E. (1993b) ‘From Orientalism’, in Colonial Discourse and Post-colonial Theory : A Reader. New York: Harvester Wheatsheaf, pp. 132–149. Available at: https://contentstore.cla.co.uk/secure/link?id=4c711f97-ca43-e611-80bd-0cc47a6bddeb.
Schechner, R. and Appel, W. (1990) By means of performance: intercultural studies of theatre and ritual. Cambridge: Cambridge University Press. Available at: https://go.exlibris.link/M10z6XPK.
Schipper, M. (1999) ‘Insiders and Outsiders’, in Imagining insiders: Africa and the question of belonging. London: Cassell, pp. 1–12. Available at: https://contentstore.cla.co.uk/secure/link?id=e7269ae7-cc43-e611-80bd-0cc47a6bddeb.
Schipper, Mineke (1999) ‘Introduction’, in Imagining Insiders: Africa and the question of belonging. London: Cassell. Available at: https://clas.warwick.ac.uk/Extracts/Index/TH320.
Spring, J. (2010) ‘Sticks and strings’. Auckland Park [South Africa] : SABC. Available at: https://library.avemaria.edu/title/sticks-and-strings/oclc/655700343&referer=brief_results.
Stavrais, G. (2005) ‘Aboriginal hip hop and youth identity’, Australian Aboriginal Studies, 2, pp. 44–54. Available at: https://web.archive.org/web/20190306231340/http://lryb.aiatsis.gov.au/PDFs/aasj05.02_stavrias.pdf.
Stevens, A. (no date) Stop thinking and just eat: when ‘food adventuring’ trivializes cultures. The Guardian. Available at: https://www.theguardian.com/lifeandstyle/2015/jun/01/food-adventuring-cultural-appropriation.
Sweden Ends Racism (no date). Available at: http://blackexplainer.com/sweden-ends-racism/.
‘Takarazuka- The Final Countdown’ (1999). Available at: https://www.youtube.com/watch?v=yYtm3GtuWoQ.
‘Tall Horse’ (no date). Available at: https://www.youtube.com/watch?v=CUbMelFpf3w.
‘Tall Horse - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=CUbMelFpf3w.
Tan, M.C.C. (2012) Acoustic interculturalism: listening to performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2587701.
‘The "Dark Continent” Goes North: An Exploration of Intercultural Theatre Practice through Handspring and Sogolon Puppet Companies’ Production of Tall Horse’ (2010) Theatre Journal, 62(1), pp. 57–73. Available at: https://doi.org/10.1353/tj.0.0335.
‘The intercultural performance reader / edited by Patrice Pavis’ (no date a). Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes.
‘The intercultural performance reader / edited by Patrice Pavis’ (no date b). Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes.
‘The intercultural performance reader / edited by Patrice Pavis’ (no date c). Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__Sbrook%20The%20culture%20of%20links__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes.
Ward, A. (2003) Mouse morality: the rhetoric of Disney animated film. Austin, Tex: University of Texas Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2921487.
Worthen, W.B. (2007) The Wadsworth anthology of drama. Brief 5th ed. Boston, Mass: Thomson/Wadsworth.
Zarrilli, P.B. (2010a) Theatre histories: an introduction. 2nd ed. New York: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2541725.
Zarrilli, P.B. (2010b) Theatre histories: an introduction. 2nd ed. New York: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2541725.
