Bibliography for FI336: Science Fiction: Theory as Film BETA

Balsamo, A.M. (1996a) Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press.

Balsamo, A.M. (1996b) Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press.

Balsamo, A.M. (1996c) Technologies of the gendered body: reading cyborg women. Durham, Ga: Duke University Press.

Battersby, C. (2007) The sublime, terror and human difference. London: Routledge. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3683082__Sa%3A%28Battersby%2C%20Christine%29%20t%3A%28The%20sublime%2C%20terror%20and%20human%20difference%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Baudrillard, J. (1988) America. London: Verso.

Baudrillard, J. (1994) ‘Precession of Simulacra’, in Simulacra and simulation. Ann Arbor: University of Michigan Press. Available at: https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099.

Baudrillard, Jean (1994) Simulacra and simulation. Ann Arbor: University of Michigan Press. Available at: https://contentstore.cla.co.uk/secure/link?id=a4b14a0a-c793-e711-80cb-005056af4099.

Bould, M. (2012a) Science fiction. London: Routledge. Available at: https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.

Bould, M. (2012b) Science fiction. London: Routledge. Available at: https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.

Bould, M. (2012c) Science fiction. London: Routledge. Available at: https://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9780203143322.

Bould, M. (2014) Solaris. London: Palgrave Macmillan on behalf of the British Film Institute. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3466038__Sa%3A%28Bould%2C%20Mark%29%20t%3A%28Solaris%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Braidotti, R. (2013a) ‘Chapter 2: Post-Anthropocentrism: Life Beyond the Species’, in The posthuman. Cambridge: Polity, pp. 55–67.

Braidotti, R. (2013b) The posthuman. Cambridge: Polity. Available at: https://pugwash.lib.warwick.ac.uk/record=b3442687.

Brooker, P. and Brooker, W. (1997) Postmodern after-images: a reader in film, television and video. London: Arnold.

Buckland, W. (ed.) (2014a) Hollywood puzzle films. New York: Routledge.

Buckland, W. (ed.) (2014b) Hollywood puzzle films. New York: Routledge.

Bukatman, S. (1993a) Terminal identity: the virtual subject in postmodern science fiction. Durham: Duke University Press. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Bukatman, S. (1993b) Terminal identity: the virtual subject in postmodern science fiction. Durham: Duke University Press. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3737545__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Terminal%20identity%3A%20the%20virtual%20subject%20in%20postmodern%20science%20fiction%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Bukatman, S. (1993c) ‘Terminal Penetration’, in Terminal identity: the virtual subject in postmodern science fiction. Durham: Duke University Press, pp. 183–240.

Bukatman, S. (1997) Blade runner. London: BFI Publishing. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3466038__Sa%3A%28Bould%2C%20Mark%29%20t%3A%28Solaris%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Bukatman, S. (2003a) Matters of gravity: special effects and supermen in the 20th century. Durham, N.C.: Duke University Press. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Bukatman, S. (2003b) Matters of gravity: special effects and supermen in the 20th century. Durham, N.C.: Duke University Press. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3738032__Sa%3A%28Bukatman%2C%20Scott%29%20t%3A%28Matters%20of%20gravity%3A%20special%20effects%20and%20supermen%20in%20the%2020th%20century%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Burke, E. and Phillips, A. (1998) A philosophical enquiry into the origin of our ideas of the sublime  and beautiful. Oxford: Oxford University Press. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790__Sa%3A%28Burke%2C%20Edmund%29%20t%3A%28A%20philosophical%20enquiry%20into%20the%20origin%20of%20our%20ideas%20of%20the%20sublime%20%20and%20beautiful%29__Orightresult__U__X4?lang=eng&suite=cobalt.

Burke, E. and Womersley, D. (1998) A philosophical enquiry into the origin of our ideas of the sublime and beautiful: and other pre-revolutionary writings. London: Penguin Books. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2800790.

Butler, J. (1990) ‘Bodily Inscriptions, Performative Subversions’, in Gender trouble: feminism and the subversion of identity. New York: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=f3b298df-168f-e711-80cb-005056af4099.

Chion, M. and British Film Institute (2001) Kubrick’s cinema odyssey. London: British Film Institute.

Constable, C. (2009) Adapting philosophy: Jean Baudrillard and The matrix trilogy. Manchester, UK: Manchester University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2978502.

Constable, C. (2015) Postmodernism and film: rethinking Hollywood’s aesthetics. London: Wallflower Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3013083.

Cuarón, A. et al. (2014) ‘Gravity’. London: Warner Home Video, a division of Warner Bros. Entertainment UK Ltd.

‘Ex Machina (2015)’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0A1F0DC8?bcast=125602766.

Florence, P. and Foster, N. (2000) Differential aesthetics: art practices, philosophy and feminist  understandings. Aldershot: Ashgate.

Fuery, P. (2013) Terror and the cinematic sublime: essays on violence and the unpresentable in post-9/11 films. Edited by T.A. Comer and L.I. Vayo. Jefferson, North Carolina: McFarland & Company, Incorporated, Publishers. Available at: https://pugwash.lib.warwick.ac.uk/record=b3718494.

Fuss, D. (1991) Inside/out: lesbian theories, gay theories. New York: Routledge. Available at: https://go.exlibris.link/kzj0zsH4.

Glazer, J. et al. (2014) ‘Under the skin’. England: StudioCanal.

Gray, C.H. (1995) The Cyborg handbook. New York: Routledge.

Haraway, D.J. (1991) ‘A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century’, in Simians, cyborgs and women: the reinvention of nature. London: Free Association. Available at: https://contentstore.cla.co.uk/secure/link?id=edfdafd7-488e-e711-80cb-005056af4099.

Jameson, Fredric (1991) Postmodernism: or, The cultural logic of late capitalism. London: Verso.

Jameson, Frederic (1991) ‘The nostalgia mode and nostalgia for the present’, in Postmodernism: or, The cultural logic of late capitalism. London: Verso, pp. 276–296. Available at: https://contentstore.cla.co.uk/secure/link?id=c2cb9e52-488e-e711-80cb-005056af4099.

Jones, D. et al. (2009) ‘Moon’. [London, England]: Sony Pictures Home Entertainment.

Kant, I. and Pluhar, W.S. (1987a) Critique of judgment: including the first introduction. Indianapolis: Hackett. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032.

Kant, I. and Pluhar, W.S. (1987b) Critique of judgment: including the first introduction. Indianapolis: Hackett. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3067032.

Kenny, A. (1998) A brief history of western philosophy. Oxford: Blackwell.

King, G. and Krzywinska, T. (2000a) Science fiction cinema: from outerspace to cyberspace. London: Wallflower.

King, G. and Krzywinska, T. (2000b) Science fiction cinema: from outerspace to cyberspace. London: Wallflower.

Kubrick, S. and Clarke, A.C. (2008) ‘Stanley Kubrick’s 2001: a space odyssey’. [England]: Warner Home Video.

Kuhn, A. (1990a) Alien zone: cultural theory and contemporary science fiction cinema. London: Verso.

Kuhn, A. (1990b) Alien zone: cultural theory and contemporary science fiction cinema. London: Verso.

Kuhn, A. (1999) Alien zone II: the spaces of science-fiction cinema. London: Verso.

Lisberger, S. (no date) ‘Tron (1982)’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001E6AAE?bcast=121143880.

Lloyd, G. (1984) The man of reason: ‘male’ and ‘female’ in Western philosophy. London: Methuen. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3718227__Sa%3A%28Lloyd%2C%20Genevieve%29%20t%3A%28The%20man%20of%20reason%3A%20%27male%27%20and%20%27female%27%20in%20Western%20philosophy%29__P0%2C1__Orightresult__U__X4?lang=eng&suite=cobalt.

Lucy, N. (1997) Postmodern literary theory: an introduction. Oxford: Blackwell.

Lykke, N. and Braidotti, R. (1996) Between monsters, goddesses and cyborgs: feminist confrontations  with science, medicine and cyberspace. New Jersey: Zed Books.

Nye, D.E. (1996a) American technological sublime. Cambridge, Mass: MIT Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578.

Nye, D.E. (1996b) American technological sublime. Cambridge, Mass: MIT Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2061578.

Osborne, P. and Segal, L. (1994) ‘Gender as Performance, An Interview with Judith Butler’, Radical Philosophy, (67), pp. 32–39. Available at: https://0-www-radicalphilosophy-com.pugwash.lib.warwick.ac.uk/interview/judith-butler.

Osterweil, A. (2014) ‘Under the Skin: the perils of becoming female’’, Film Quarterly, 67(4), pp. 44–51. Available at: https://doi.org/10.1525/fq.2014.67.4.44.

Sanders, R. (2017) ‘Ghost in the Shell’.

Sanders, S. (2008) The philosophy of science fiction film. Lexington, Ky: University Press of Kentucky.

Scott, R. et al. (1986) ‘Blade runner’. [U.K.]: [s.n.].

Seed, D. (2008) A companion to science fiction. Malden, MA: Blackwell Pub. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2830454.

Shaw, P. (2006) The sublime. London: Routledge. Available at: https://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3191466__Sa%3A%28Shaw%2C%20Philip%29%20t%3A%28The%20sublime%29__Orightresult__U__X4?lang=eng&suite=cobalt.

Sobchack, V.C. (1997a) Screening space: the American science fiction film. 2nd, enl. ed edn. New Brunswick, N.J.: Rutgers University Press.

Sobchack, V.C. (1997b) Screening space: the American science fiction film. 2nd, enl. ed edn. New Brunswick, N.J.: Rutgers University Press.

Sobchack, V.C. and Sobchack, V.C. (1997) Screening space: the American science fiction film. 2nd, enl. ed edn. New Brunswick, N.J.: Rutgers University Press.

Stacey, J. (2010) The cinematic life of the gene. Durham, NC: Duke University Press. Available at: https://pugwash.lib.warwick.ac.uk/record=b3738610.

Tarkovskiĭ, A.A. et al. (2016) ‘Solaris’. [London, England]: Curzon Artificial Eye.

Weetch, O. (2016a) Expressive spaces in digital 3D cinema. London: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066.

Weetch, O. (2016b) Expressive spaces in digital 3D cinema. London: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3057066.

Winkler, I. et al. (2003) ‘The right stuff’. Burbank, Calif: Warner Home Video.

Wood, A. (2002) ‘Chapter 4: It’s Alive’, in Technoscience in contemporary film: beyond science fiction. Manchester: Manchester University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=42355a79-7498-e711-80cb-005056af4099.

Wood, Aylish (2002) Technoscience in contemporary film: beyond science fiction. Manchester: Manchester University Press.